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Presented, produced and edited by Steve Topple. CanaryPod: #ToppleUncaged meets… Treesha and Bay-C show notes

A short film made by a community is getting international recognition.

We chatted about their tracks, whether riddims still hold relevance, how the reggae and dancehall scenes are looking this year and more. So, I caught up with both of them for the #ToppleUncaged podcast. Meanwhile, Bay-C’s Inna Mi Brain is a booming tribute to cannabis, with nods to the political controversy that exists around it.

Treesha’s almost anti-capitalist anthem Money Don’t Mean A Thing describes the fallacies of thinking that cash makes you whole. Both Treesha and Bay-C have used the riddim to create songs which make political and social points. Featuring elements of dancehall, it is bang on trend with its distinct afrobeat sound. The Change Like Weather riddim is one of the more impressive productions of the year.

You can have multiple great songs with the same rhythm, ensuring that no vocal idea remains undeveloped. The beauty of this format is that it allows for a method of genre development based on iteration the pressure is not only to innovate, but to improve. In the early days of dancehall, each version was released as a separate single, but since the early 2000s a batch of versions will usually be released as a digital album.

Please see our Privacy Policy for information.Ī rhythm – or ‘riddim’ – is an instrumental track created by a producer or label that’s given to vocalists to create their own versions. We will not share your information with third parties.